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Beijing-based artist Li Hongbo creates fantastic sculptures using thousands of sheets of paper that are manually glued on top of each other in a honeycomb composition, allowing the layers to be pulled and stretched like an accordion. These paper stacks are then cut and sculpted using an electric saw. Li Hongbo has taken art to a whole new level of amazing detail and precision. In his latest exhibition he makes colourful guns. And they are all made out of paper. “I discovered the flexible nature of paper through Chinese paper toys and paper lanterns,” Li told Reuters.
![]() “Later, I used this principle to make a gun,” he said, casually riffling a crude paper pistol into an elegant fan. “A gun is solid, used for killing, but I turned it into a tool for play or decoration. In this way, it lost both the form of a gun and the culture inherent to a gun. It became a game.”The piece is a comment on gun control. “With the global proliferation of weapons, we now sit on powder kegs,” Li has said. “The international making and trading of guns is a colossal business, yet superpowers argue that having big guns is a deterrent to proliferation. We have only created more sophisticated killing machines that take lives as easily, and as effortlessly, as picking flowers.” The Chinese uses glue to painstakingly stick sheets of paper together into blocks. He then makes sculptures out of the blocks of paper. After using a drill and angle grinder the sculpture eventually takes shape. ![]() The result is a piece of art that can be stretched and distorted into various shapes. Best known for his lifelike paper sculptures, made entirely out of paper and glue. His work has been exhibited in museums around the world. His works were displayed at Ludwigsburg Museum in Germany (2013), the 18th Biennale of Sydney in Australia (2012), and Klein Sun Gallery in New York (2013). Li’s first solo exhibit in North America titled Tools of Study at Klein Sun Gallery, received worldwide attention. ![]() He now lives and works in Beijing, China. Ocean of Flowers was originally presented at the 18th Biennale of Sydney in 2012, and is now on show again at Beijing’s Eight One Art Museum. beijing-based artist and designer li hongbo manipulates sheets of paper into sensuous three-dimensional sculptures. he tells designboom more about his work. DB: what originally made you want to become an artist?LH: I was born in a chinese province called ji lin, and I was educated just like any other child. however, I picked up a hobby – painting. I also always liked to add little paintings that I shouldn’t have in my textbooks. the hobby stayed with me for many years. ultimately, I was lucky enough to enter into art school to study art, and I was able find a job pursuing my hobby after I graduated. my creations are the result of my thought process, and I hope viewers will enjoy what I create. however, if you were to ask me about my particular thought process, I would say that I pay attention to everybody in my life, and every little thing that surrounds me. because of that my work is closely connected to daily life. DB: who or what has been the biggest influence on your work?LH: there is a chinese saying, ‘life is as fragile as paper’, which has made a deep impact on me. due to my past jobs, I have become very familiar with paper. this revealed to me the importance of paper to both society and individuals. it also allowed me to explore paper’s hidden, broad expanse of uses. ![]() DB: your work challenges the way we perceive form… what drew you to this theme?LH: when people look at a box, they think ‘it’s a box’ but, actually, it can change into another thing. I want to change the image, change how people see things so they think in a deeper way. DB: how would you describe the evolution of your style?LH: with the development of my structure of knowledge and my personal life experiences, my style has improved. each one of my works displays my inner world. DB: could you describe your process when it comes to starting a new work?LH: my artistic creations have many themes, but they are all closely linked to my thoughts, my experiences, and my current life. the themes are produced by my formless inner thoughts. I layer sheet of paper one by one attaching each with glue at specific points to create a honeycomb pattern. each sheet is glued individually by hand until I’ve created a small block. ![]() I use a woodworking saw to create the initial cuts, discarding excess paper and reducing the area of the block into the form I’m striving for. as the saw becomes impractical for cutting, I switch to an angle grinder. this allows me to achieve greater detail and I put the finishing touches on the sculpture with sandpaper. DB: what do you do to keep your ideas fresh?LH: I never intentionally try to keep my ideas fresh. I do however, always maintain a thirst for new knowledge, the love of life, and an enthusiasm about the things that surround me. DB: what do you know now that you wish you knew when you were 21? ![]() LH: how I wish I could have known to cherish time when I was 21! knowing this today, I’ve started to regret that I lost my youth. I feel as if every day is so short now. DB: what are you currently fascinated by and how is it feeding into your work?LH: at the moment, I often recall my experience painting as a student. this nostalgia is what lead me to produce the ‘tools of study’ series. DB: do you have any superstitious beliefs?LH: I revere all human beliefs, and I establish friendships with all kinds of people who hold all different kinds of beliefs. DB: what’s the last thing that made you say ‘wow’?LH: wow! the malaysia airlines flight mh370 was lost so unexpectedly! there are so many advanced radar technologies, and so many countries have come together for the search and rescue, I cannot believe that a civilian aircraft could be lost so suddenly. |
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